Napalm Death

To celebrate Tuesday’s release of Utilitarian (the fourteenth (!) Napalm Death full-length), we asked longtime bassist Shane Embury to a pick a non-ND record that related in some way to each of the fourteen full-length ND records (including a covers album) that he’s played on over the last 24+ years. Last week, Shane’s entries took…

Before getting round to talking about the imminent reissue of Napalm Death’s now 25-year-old [iconic/seminal/etc.] debut Scum, the Deciblog is engaging Mick Harris in a discussion about his favorite fish—the barbel. You see, Napalm Death’s drummer from the years between ’85 and ’91 has long since put his sticks down, and—in his words—has dropped out…

In the preface to his interview with Napalm Death frontman Barney Greenway in Issue #89, J. Bennett wrote that “[t]here are few bands you can rely upon to deliver the fucking goods on their 14th album. Or to even make it that far in the first place. The number of grind outfits that have accomplished…

There are game changers and then there are game changers. I wouldn’t say Hard ‘N Heavy’s Grindcore Special Issue was a game changer in the same way Entombed, Paradise Lost, Napalm Deafth (phonetic spelling, natch), Bolt Thrower, Tiamat, and many others were in the dimmest part of the early ’90s, but it, unlike any Xeroxed…

Earache records is officially 25 years young this year. While it was the vinyl-only release of The Accüsed’s The Return of Martha Splatterhead that marked the label’s debut, it was the release of Napalm Death’s inconic/incendiary/etc debut, ‘87’s Scum, that started an uncanny hot-streak for the label, one which saw them go on to bogart…

Just around the corner from the Camden Underworld, the BrewDog bar is exhibiting all the signs that tonight’s show is going to be over-subscribed despite Napalm Death’s much-anticipated and completed new album, Utilitarian, in cold storage until the New Year. The Scottish independent brewery’s own titular tribute to the Dead Kennedys’ anti-fascist anthem, the 7.8%…

We know who coined the term ‘blast beat’ or ‘blastbeat’, but which group was the first to employ the technique now synonymous with extreme metal drumming? Now that is a question I bet even a TakeLessons drum teacher wouldn’t be able to answer. Was it grindcore legends Napalm Death? Was it crossover heroes D.R.I.? Or…

We, the working class, salute the fine young individuals who are bidding farewell to another summer and returning to academia. To help you get through another grueling year of homework, idiotic teachers, standardized tests, and the realization that there are no jobs out here once you graduate, the Deciblog has carefully constructed a series of…

This is a borderline case of premature ejaculation in the press/hype sense that the Deciblog maintained an unblinking vigil on Birmingham, England grind progenitors Napalm Death for news of the long-awaited follow-up to 2009’s Time Waits for No Slave, and ran like a fucking gazelle with a hot poker in its ass, straight to the…

It’s no secret Decibel and Napalm Death aren’t just Facebook friends but bestest pals. We’re the beat to their blast, so to speak. Decibel editor-in-chief Albert Mudrian’s favorite band is, well, Napalm Death. The Brummies (that’d be folk from Birmingham, England) were well chronicled in Mudrian’s Choosing Death book, were cover stars for dB #53,…

Requiem Metal Podcast has been going since April 2008. To date, podcast creators Mark Rudolph (also known for his awesome review illustrations and the cartoon Danzig dB cover) and Jason Hundey have 118 episodes under their respective Atlantean-like belts. That’s a lot of talking and, if I’m being highly subjective (which I am, ’cause both…

Without Napalm Death’s Scum, you probably wouldn’t be holding this magazine. This album—essentially a split LP between two almost completely different lineups—defined grindcore with its growled vocals, whirring, hardcore-influenced riffs and faster-than-a-locomotive blast beats.