at the gates

Last week in a rare over-ground win for underground art and authenticity the preconceived notion-smashing At the Gates comeback record At War With Reality won the Swedish Grammy for Best Hard Rock/Metal Album of 2014. We, of course, would like to believe this is at least in part the International Federation of the Phonographic Industry’s…

The Decibel Magazine Tour has established itself as the extreme music destination of the spring, bringing metalheads a thoughtfully curated lineup that celebrates the genre’s proud and diverse global legacy. The fourth installment is no different, as Swedish melodeath legends At the Gates join forces with U.S. hardcore heroes Converge and U.K. death/doom supergroup Vallenfyre,…

Slaughter of the Soul is arguably one of the best death metal records of the modern era. Genuine classics like “Suicide Nation,” “Slaughter of the Soul,” “Blinded by Fear” and “Under a Serpent Sun” call our neck and brain to action.

America’s only monthly extreme music magazine is turning 10, and we’re too pumped up to settle for just one birthday party. On October 18, Decibel is taking Manhattan (and Brooklyn) with two exclusive, blowout concerts. First up at Best Buy Theater in Times Square: the globally renowned axework of Amon Amarth, Sabaton and Vallenfyre (the…

Hot on the heels of At the Gates announcing their long-anticipated comeback album, Andrew and Albert talk to the prolific vocalist Tomas Lindberg about his storied past, present and future in extreme metal.   Featuring:Lock Up “Infinite in its Nothingness”The Great Deceiver “The Living End”Disfear “Get it Off”The Crown “Drugged Unholy”At the Gates “Kingdom Gone”

5. Carcass – Carcass has had a few logos over their storied and infamous career, but none of them evinces the manic, electric quality of the group’s music quite like this iteration. Its angular, slightly italicized letters, the long stems of the two “c”s and “r,” and the near interlocking of the double “s” imparts…

There’s little more annoying on this planet than the immoral majority telling you how essential, transcendent and (huh-huh) seminal a particular extreme album is, when you know that it’s overrated as fuck. Hence, our new Wednesday morning column, “Disposable Heroes,” in which one brave soul sails against the current to inform all you clones why…

In May of 1995, At the Gates entered Studio Fredman in Gothenburg, Sweden, to record what would be their fourth and final full-length, Slaughter of the Soul.