Today, I learned about “feather footing.” Y’see, I’ve never driven a 15-passenger van before, let alone one with a trailer the size of my dining room towed behind it. During my quick tutorial, I learned that in order to prevent the engine from overheating, you’re supposed to not depress too hard on the gas and…

Shameless Self-Promotion Alert: As you can perhaps infer from the tastefully designed flyer above, Repulsion mastermind Scott Carlson and I are starting what promises to be a sufficiently killer DJ night at Footsie’s in Los Angeles (2640 N. Figueroa, 90065), mere blocks from Decibel‘s L.A. Bureau. Naturally, we will be spinning only the finest in…

httpv://www.youtube.com/watch?v=NBgMk4X9MzA If you’ve already seen the Super Mario Castle Theme covered by Death Metal band Nylithia, you don’t have to brag. Many in the metal world have already enjoyed the Canadian band crushing it old school while Mario does some sort of jump squat headbang I haven’t seen pulled off since the ’80s. Now it’s…

Scott Seward here, noise fans. As many of you may or may not know, in between the reviews of bad metalcore albums and really bad nü-thrash records in Decibel, I have a tiny little column entitled Wages of Din. Every month it is my great fortune to hip you to some of the finest new…

Day 0 – BUFFALO, NY – SAN DIEGO, CA This year marks the 28th anniversary of the first and last time I ever visited my mother’s country of birth, the tiny Caribbean island of Dominica. There are a lot of things about that journey that are surprisingly fresh in my memory: the hurricane-beaten exteriors of…

Steele (who was still working for the NYC Parks Department), guitarist Kenny Hickey, drummer Sal Abruscato and producer/keyboardist Josh Silver descended upon Systems Two in Brooklyn to record the album that would propel them into the bright lights and big titties of international rock stardom.

As convoluted back-stories go, it doesn’t get much more tangled than the one behind Pentagram’s Relentless.

After 60-plus Hall of Fame inductions, one thing that stands out is that precious few of those albums contain and are best known for a single truly classic song.

Contrary to popular belief, the New Wave of Swedish Death Metal—also known by its acronym NWOSDM or synonym “The Gothenburg Sound”—wasn’t a cohesive movement.

Saint Vitus were a living, breathing anachronism in every possible way.