Beloved noise-grind three-piece will only be playing a handful of days for their “Make America Dead Again” tour. 

Friday is for flying rodents. Or NWOBHM supergroups featuring members of Municipal Waste, Volture, and D.R.I. — your choice. 

Say you love Satan. We love Babylon Whores. And Sleep of Monsters have won our dark hearts. 

Here are the songs on Mastodon‘s Hall of Fame nominated album Leviathan ranked from least-rad to fully-rad.

Talking SIEGE and Infest reunion shows with Robert Williams and Chris Dodge.

Spend your summer interning at Decibel? Beats a real job, right?

Mithridatic’s Kevin Paradis unofficially broke the world record for fastest double-kick drumming. And he says he can do it again.

Two of the most respected labels in underground music today — 20 Buck Spin and Gilead Media — have combined their considerable heavy metal firepower to found and curate Migration Fest, a three day celebration of aural boundary-pushers and face-melters set to go down at the historic Capitol Theater in downtown Olympia, Washington this August. The stacked lineup includes Krallice, Christian Mistress, a The Body & Krieg collaborative performance, Thou, Vastum, Mutilation Rights, Kowloon Walled City, Pale Chalice, Vhol, Auroch, and a slew of others. 

Brazilian trio takes thrash beyond their country’s (bloody) roots on “Hostages.”

Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes.

Brooklyn noisecore trio replace their instruments with being hilarious. 

Our own Richard Christy looks toward a third consecutive AL pennant for his beloved Royals.

Yes, that’s a music video of the title track of an album with the same name as a full-length film rendition of a novel. And Hideous Divinity‘s is no less complex in practice, so go ahead and press play for some brain food (/and bludgeoning).

Mortiis reveals part one of a three-part short film.

A Gojira-like sledgehammer for your skull. That’s what Fridays call for, right?

Finnish black metallers True Black Dawn have preached the good and blasphemous word since 1992. Check out the premiere for the title track on Come the Colorless Dawn, the band’s second full-length, and first album in 15 years.

It’s been over two years since Creepsylvania miscreants Ghoul have released any new material. Though Decibel enjoyed the beach/surf-themed Hang 10 EP, if you’re like us, we’re guessing you’ve been eager to hear Digestor and Cremator get back to dealing the death/thrash that’s responsible for the majority of Romania’s GDP.  Thanks to Decibel, now you…

The Labyrinth

RIFYL your demos and your steaks rare

dB Rating: 8/10

With the song “Hover” the Brooklyn couple show that they’re louder than love. 

Equal parts bluesy sludge and trudging grind, Musket Hawk bring the slow despondency necessary on the most hungover of afternoons. 

Tune in. Fuzz out. Rock out. Free yourself from the tedium (of boring music). 

Head to the tombs to get, uh, this premiere streaming. 

You might wanna double-check the price on that Purple Rain deluxe reissue.  

A sneak peek heads-up for the upcoming full-length of hypnotic, unhinging blackened doom from Head of the Demon. 

Virus doesn’t have any circus music or kazoos, just brooding, skin-crawling metal/rock from ex-members of Ved Buens Ende and other similarly weird entities. 

To celebrate the 5th anniversary of Saint Vitus Bar, as well as the release date of Primitive Weapons’ new album The Future of Death, David Castillo looks back at some of the club’s best shows so far.

Coffin Dust‘s Facebook Page info lists the genre as “Depraved Cemetery Metal” and includes a a short description of “Crush the skull, snort the dust.” We think that’s about all that needs to be said here.

** Italian symphonic death metallers Fleshgod Apocalypse have taken things to a whole new level on new album, King. Musically, the Italians are more intense, more bombastic, more sophisticated. Song to song, King ravages the tenets of symphonic death metal, establishing a new hierarchy of awesome. Artistically, King has one of the best album covers of the decade. It looks positively old, but Eliran Kantor’s work is undoubtedly modern (and killer). Decibel was summoned to Tommaso Riccardi’s throne room to talk King.

Triangle by the numbers: 100+ minutes, third album, three parts, two visual artists, one video premiere. 

We’ve got an exclusive new clip, and the inside story, behind the upcoming documentary on that one death metal band. Yeah, that one.