Mikael Åkerfeldt's Top 5 ABBA Songs
Posted December 22 by Jeanne F.

Anni-Frid Lyngstad, Björn Ulvaeus, Benny Andersson, and Agnetha Fältskog—also known as Sweden’s perfect pop group ABBA—were inducted into the Rock N Roll Hall of Fame this year, and to honor that achievement, we asked the biggest ABBA fan we know—that would be Opeth's Mikael Åkerfeldt—for a Top 5. When Åkerfeldt was being interviewed for Decibel’s 100 Greatest Metal Albums of the Decade, he revealed his admiration for his fellow Swedes, whom he grew to love (like, really really love) thanks to Porcupine Tree mastermind Steven Wilson.
”Steve mentioned them like they were geniuses. And I was like, I grew up with them. They been there for my entire life and I didn’t look at them that way and I had been hearing them my entire life. I knew all the songs. But then I realized. I was grocery shopping one day in one of those big stores that has a little bit of everything, like Wal-Mart, and I saw an ABBA box set with all their albums and it was like $15 for 9 or 10 albums. I grabbed it for Melinda, for my kid. I put it on back home and I realized, I had never listened to ABBA, like really listened to ABBA, since I had become a musician and it was a difference once you know a little bit about music, it becomes different to listen to stuff. And I became obsessed with them. I just recently kind of kicked the habit. But for a couple of tours I listened to them every night, like, all their albums before I went to bed, I went through every album in my bunk on the bus. And I was like, saying to myself, 'How is it possible to write music like this?' When it comes to metal, I’m not a very humble person. I can be like, 'I know better than all the other metal bands.' But with ABBA, I was just humbled. I was just like 'Wow.' It was a re-awakening so to speak. When I turned the music off, I felt lonely. (laughs) It was a bit of an obsession really. My children, Melinda is 5, Miriam is a bit too young to have an opinion, but Melinda only wants to listen to 'Mama Mia' and also I got her into 'Money Money Money.' But the songs that I like, like 'When I Kissed the Teacher,' she don’t like that. She thinks it’s too wimpy."
MIKAEL ÅKERFELDT’S TOP 5 ABBA SONGS (IN NO PARTICULAR ORDER)
THE DAY BEFORE YOU CAME
Semi-legendary track, mainly because it was the last song ABBA ever recorded before the 1983 split. It also happens to be the most emotional and bittersweet track they ever put on tape. It’s rather stripped down, Agnetha’s vocals is the sole voice here, and her heavy accent (which I love) really adds a profound feeling of loneliness and isolation. Something about the lyrics are so spot on as far as the “Swedish melancholy” goes, yet it’s impossible to point out what it is. It just…is! Production is perfect for the song, however somewhat marred by the sonic trends of the time. Still, the final result is so dense and bleak that it leaves you with an aching hole in your heart.
WHEN I KISSED THE TEACHER
I have to pat myself on the shoulder for “bravery” here. I’m a metal dude, yet I just have to pick this song that waves the flag for one of the least “macho” song titles ever.
The opening 12-string acoustic guitar chords demands your attention and I’m just disarmed from the get-go. Never been a big fan of “happy” music, yet this one is anything but a downer track. I don’t know what it is…maybe the superb production? The work they must have put into this song is just mind boggling. Anni-Frid and Agnetha are doing their trademark dual vocals throughout the track, with the exception of Agnetha’s amazing “One of these days…” choruses. This is one of those songs where you need to listen to what’s going on “behind” the main vocal. It’s a constant flow of multi-tracked, rhythmic backing vocals that matches or even surpasses the genius of a band like Queen. Yeah, I said it! I meant it too!
THE VISITORS
Very stark feeling throughout this song indeed! It’s like it’s got you by your neck, and it’s pushing you up against a wall, frisking you. One of Frida’s proudest moments in my book. Her vocals are deliberately cold and robotic. Like she’s drained of all human emotions but has to deliver one last time. Lyrically I’d have to say this is one of the oddballs in their discography, however it certainly generate a haunting vibe to the entire track. The little mid-section-lead-melodies are so strong it’s insane and very ABBA-ish. There’s a twist at the end of the melodies that could only have been written by Benny Andersson. Period.
LAY ALL YOUR LOVE ON ME
The only top-song on Super Trouper as far as I’m concerned. Yet, everything about this little tune just reeks of “masterpiece” and might be the crown jewel in the ABBA crown. The simple “jealousy” lyric really works all the way through, and as usual Agnetha’s delivery of the verses are just beyond phenomenal! Production is dreamlike and hasn’t aged since it was first released. I’ve shook my head in awe a thousand times, thinking “How is it possible to write a song like this?” Maybe I’m over-reacting but I truly feel this is one of the best songs ever written in any category. It’s downright ridiculous!
IF IT WASN’T FOR THE NIGHTS
Voulez Vous is my favourite ABBA album out of them all. I had some serious problems to pick a favourite from this one, but I ended up with this one. It might as well had been “Lovers,” “As Good as New,” or the title track, but really, this one just makes me feel…alright! I also have to give some kudos to the band (of session musicians) backing up the star-quartet here. They just deliver like there’s no tomorrow. The end result is so tight, smart, well written, well arranged and well played that it’s…just crazy! As a prog-metal-whatever-musician I can’t help but get the shivers when I hear full-band-syncopation parts like they do for the line “Oh, I’m so….restless…”. I usually foresee things like that, but I was put to shame here. Tasteful, smart and just really fucking fantastic!
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