The Village Voice's Sketchy Metal Review
Posted December 1 by Jeanne F.

“A shameless glitz-and-tits approach to faux-anthemic blockbuster melodrama masquerading as elite-approved Art for Art's Sake—plagues ‘metal’ these days,” writes Stewart Voegtlin. I’m all for a contrarian view of anything embraced by the masses, and so I read his piece “Pelican’s Sketchy Metal” with gusto. (The deck: “The Chicago band leads a pack of wayward, ambiguous, faux-intellectual faux-headbangers.”) I genuinely wanted to understand his critique of the bands he refers to as “a host of dunderheaded critical darlings with banal commercialist tastes: Baroness, Mastodon, Torche, and especially Pelican.” I read the piece a good three or four times before wrenching my brain from the page.
Voegtlin methodically deconstructs these bands with erudite verbiage, and underneath all the wordsmithery, here’s what I understood as the bottom line: Voegtlin is thoroughly unimpressed by the music of Pelican, Mastodon, Baroness, and Torche because he doesn’t hear those bands as producing honest (see also: tr00) metal.
The metal community makes a big to-do over the “death to false metal” edict, but let me take this opportunity to come clean: I have no idea what “honest” metal sounds like and I don’t care to know because it doesn’t make a goddamn bit of difference. I love the Darkness, for fuck’s sake. Yeah, you heard me. Fucking love them. Just listen to the rhythm of my heart.
According to Voegtlin, Gates of Slumber and Lord Weird Slough Feg make “actual metal” in part because they have “clear aesthetic statements.” Why is an understanding of anyone’s/anything’s aesthetic statements inherently necessary for the enjoyment of art? In terms of “getting” art, my guts take precedence over my brain. Guts don’t lie.
Voegtlin also hones in on Pelican/Mastodon/Baroness/Torche’s inconceivable appeal to the “‘un-metal’ folks who play ‘headbanger’ by night,” and paints popularity as an offense, and therefore further taints the music. The “un-metal folks” seem to be a distraction or a disturbance to Voegtlin, or they offer human proof that the bands aren’t honest metal. It’s no secret that more people are embracing heavier music. But who cares what these people do during the daylight as long as they’re rocking out during a show? I never cared who was in the crowd as long as they weren’t out to beat my ass.
I’m writing this as someone who was never truly moved by Pelican in the first place, and who prefers The Red Album to The Blue Record, and who definitely didn’t jizz on Crack the Skye, and who took her sweet time getting hooked on Meanderthal. But I’ll tell you one thing—Pelican, Mastodon, Baroness, and Torche are four bands that produce a variety of metal and if Mr. Voegtlin can’t hear anything noteworthy in any of their music, I’m not entirely sure the music is the problem.
To read the whole Village Voice piece click here. Though you may regret it.
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